Kylesa at Savannah Stopover – photos

Kylesa’s new record label, Retro Futurist, held their first ever showcase on opening night of the Savannah Stopover, featuring Darkentries, Burnt Books, Irata, and, of course, Kylesa themselves. I missed Darkentries, but hope to catch them soon, and Burnt Books, who I’ve seen a couple times and are really solid live. I caught part of Irata‘s set and was pretty impressed, and they were a highlight of the whole festival for a couple friends who saw the whole set. I’d love to see them again.

Kylesa closed the night out with another great set of their signature heavy/prog/sludge/rock/metal. It truly is hard to put them neatly into any single genre anymore, to their credit.

A couple miscellaneous Kylesa/Retro Futurist related notes:

Kylesa is playing Graveface Fest 2 Saturday, and the lineup for that show at the Dollhouse is awesome.

Darkentries new release is coming up quickly.

Retro Futurist is also releasing the debut full length from Lazer/Wulf in May. The Atlanta trio may be the tightest band I’ve seen in the the past couple years and I’m really looking forward to The Beast of Left and Right. And…oh yeah, Lady GaGa came to see their set at SXSW!?!? Really, I’m not sure what to make of that.

Speaking of South By, Kylesa’s own Laura Pleasants was inside the Mohawk when the vehicle plowed through two blocks of concertgoers outside the venue, killing 3 people, and injuring about 2 dozen more. Horrible.

Kylesa also announced an upcoming tour of SE Asia.

Bill and I both shot some photos of their Stopover performance. Here’s a couple, with more after the jump.

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Spirit Animal at Savannah Stopover – photos

I’m not going to lie, I’m pretty sure I confused “Spirit Animal” with “Team Spirit” when I left Bleeding Rainbow (who were great, thanks for asking) to scoot around the corner to The Jinx on the final night of Savannah Stopover. Give me a break, there were A LOT of bands playing, and it was a very awesome, long, and winding weekend. So, instead of seeing the dual guitar indie rock attack that I was expecting of “Team Spirit”, I got the dance/rock/funk of “Spirit Animal”. I love music, but hate to dance (I know, right?), and also have an aversion to boy band looking front men. To my absolute surprise, Spirit Animal totally won me over. Really fun, high energy show. I still didn’t dance, though.

A couple here with more after the jump:

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Graveface Fest 2 features The Casket Girls, Kylesa, CUSSES, Creepoid, lots more

The second Graveface Fest is coming up on Saturday, 3/22, at Dollhouse Productions in Savannah. The converted industrial space should be perfect for the diverse sounds and styles that will be on display from 4 p.m. to 2 a.m.

Here’s the lineup (as 3/17) from the Facebook event page (COEDS gets all the capital letters):

kylesa 1am
casket girls 12am
creepoid 11pm
cusses 10pm
lazer/wulf 9:15-9:45
stargazer lilies 8:30-9
empty vessels 7:45-8:15
crazy bag lady 7pm-7:30
blackrune 6:15-6:45
COEDS 5:30-6
mumbledust 4:45-5:15
dreamend 4-4:30

I’m going to see Punch Brothers that evening at the Savannah Music Festival, so I’m likely to miss many of those early acts, but I’m going to try to get to Dollhouse at least for those excellent final acts.

Click here for the Facebook event. Click here for more on the Graveface website. Tickets are just $15 in advance and $20 at the door.

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Charles Bradley, Blitzen Trapper, Horse Feathers on the way to Savannah — the latest from Stopover/MusicFile

Savannah Stopover 2014 might have just wrapped up, but the festival and its parent company MusicFile Productions have already announced a trio of impressive spring concerts.

Tickets are now on sale for Portland, Oregon-based Horse Feathers on Friday, April 11 at Ampersand (in the old Sparetime location). mumbledust will open. Listen to this and you’ll want to be there:

The other two spring shows are capitalizing on Savannah’s proximity to Atlanta’s Shaky Knees Music Festival. A few big names are looking for regional gigs before or after that weekend in May. (It’s another version of the Savannah Stopover formula of capitalizing on bands traveling to SXSW.)

On Wed., May 7, Charles Bradley & His Extraordinaires will play The Jinx. What?! The last time Charles Bradley played Savannah, he packed Trustees Theater during the Savannah Music Festival. It’s going to be thrilling to see him in the tighter confines of The Jinx, to be able to stand and dance and drink, and to take some photos. Can’t wait.

Click here for tickets, and don’t wait. This show will sell out.

And Blitzen Trapper will play The Jinx on Mon., May 12. That’s right after Shaky Knees. That show also seems certain to sell out. Click here for tickets.

All three of these shows are listed as 21+. I guess it’s time to make another push to change Savannah’s short-sighted ordinance that prevents bars from also being all-ages or even 18+ venues for live music.

The Wormhole announces Man Or Astro-man? show

I’m just going to say it: in terms of live, touring music, 2014 is finally Savannah’s year. It’s been a long time coming through a lot of hard work by a lot of good people, but the show calendars can’t be wrong – Savannah is no longer a sleepy speck on the map for bands to skip over between Atlanta and Jacksonville. It’s March, and not only have we had a tremendous Stopover and a hold-onto-your-hats January and February thanks to high-profile and hard-touring indie acts coming through, but the momentum shows no signs of stopping.

My favorite aspect? These big moments aren’t just happening through Savannah Stopover (though can we get another hand for The MusicFile for booking Charles Bradley?!), Savannah Music Festival, etc.. And they’re not all happening at The Jinx, our rock n’ roll headquarters, or Savannah Civic Center – Art Garfunkel played an intimate show at Dollhouse. Up-and-comers Priests played in our record shop.

And, to the surprise of many, 1990s space-surf rock legends Man Or Astro-man? are playing The Wormhole.

Take that, noise complaints.

After reuniting with their original lineup in 2010, Man Or Astro-man? have toured around the US and Europe, but haven’t made a Savannah stop in over a decade. They’ll return on April 25 with Birmingham’s Wray and our own Crazy Bag Lady.

With a live show that historically revels in the unexpected and unforgettable (they sent a band of MOA? clones out on tour in their place not once, but twice [fun fact: Savannah’s Scott Stanton, aka Panhandle Slim, was a clone!]), longtime fans and newcomers will want to make their way down to 39th Street for this one.

General admission tickets are $15. VIP (“no-wait entry, reserved seating in the Star Deck, waiter service”) are $50 – and it looks like there are only 2 available at this time.

You can find the event on Facebook.

Oberhofer at Savannah Stopover – photos

I loved Oberhofer‘s lush, high-energy set on Saturday night at the 4th annual Savannah Stopover — and the crowd seemed to love it too (as you can see in the pics). Brad Oberhofer is an immensely talented singer, guitar player, and front man, but I’m curious to see where the band’s guitar-driven indie pop goes from here.

I took some pics. A few here, with more after the jump:

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Larry Jack’s Magical Music Tour 3/13/14 – 3/18/14

Hey guys,
Just as suspected, I barely survived Savannah Stopover last weekend. I hope most of you guys made it down there for at least one night, I think it was one of the best Stopovers yet. And a few of you got to see one of the worst guitar solos in Savannah on Saturday night, as I was (randomly) pulled onstage at the Peelander-Z show and handed a guitar. I guess that they figured since I was an old guy in the audience, I must be able to play. Boy, did I surprise them! But I had a great time and I would also like to apologize to anyone who was listening.

It looks like we are going to jump into another music-filled week. I am impressed with the amount of (mostly) local acts that are playing at the St. Patrick’s Day Festival. This is what I was hoping for when they started charging us $5 to drink down there. You have a chance to catch just about every local act that I talk about in this blog this weekend. Since most of you will be downtown anyway, make it a point to see a few of these guys (and girls). I don’t know how many of these I will be able to see, but this is a list of shows I recommend. Take note that Kevn Kinney of Drivin’ n’ Cryin’ is playing on St. Patrick’s Day. I hope everyone has a fun or safe St. Patrick’s Day.

Thursday 3/13
AccomplicesMolly MacPherson’s (10p) – May as well start the week early with one of Savannah’s best bands

Friday 3/14
4p – Ancient Cities – Stage 1 – Another New Familiars spin-off
5p – Danielle Hicks Band – Stage 2 – Danielle will be playing with a full band, including Ben Keiser of Epic Cycle
6p – Hypnotics – Stage 1 – Garage rock
6-9p – AccomplicesRail Pub
7p – Smith Brothers – Stage 2
8p – Cranford Hollow – Stage 1
9p – Voodoo Soup – Stage 2
9:30 – Danielle HicksFlip Flop Tiki Bar
10p – Damon & The Shitkickers – Stage 3 or Les Raquet – Stage 1
10p – Coon Doggin’ Outlaws, Bottles & Cans, Deadman Delos SantosJinx
10p – Gen. Patton & The Heads Of StateCongress Street Social Club – Dance rock
10p – HypnoticsMolly MacPherson’s

Saturday 3/15
12p – Dank Sinatra – Stage 1 – Athens band, Groove jungle music
1p – Thomas Claxton – Stage 2
2p – Andrew Gill – Stage 3
3p – Train Wrecks – Stage 2
4p – Georgia Kyle – Stage 3 or Seven Handle Circus – Stage 4
5p – New Familiars – Stage 2
6p – Bottles & Cans – Stage 3
7p – Eric Culberson – Stage 2
8p – City Hotel – Stage 3
9p – U-Phonik – Stage 4
9:30 – Epic CycleFlip Flop Tiki Bar
10p – New Familiars – Stage 3
10p – Charlie FogMolly MacPherson’s
10p – City HotelJinx
10p – Those CatsCongress Street Social Club

Sunday 3/16
2p – Jeff Beasley – Stage 3
3p – Velvet Caravan – Stage 2
4p – Apparitions – Stage 3
5p – Hypnotics – Stage 2
6p – Domino Effect – Stage 1 – Dance rock
6p – John Lee DuoFlip Flop Tiki Bar
8p – Accomplices – Stage 3 or Ancient Cities – Stage 1
10p – Train Wrecks – Stage 3
Big C, Voodoo Soup, Les Racquet – Congress Street Social Club

Monday 3/17
12p – Les Racquet – Stage 1
2p – 3:45 – Kevn Kinney – Stage 3
2p – Bottles & CansJinx
4:30 – Cranford Hollow – Stage 4
5p – Accomplices – Stage 2
5p – Filthy Still Jinx
6p – Royal Noise – Stage 3 or A Nickel Bag Of Funk – Stage 1
7p – Kota Mundi – Stage 2
7p – Train Wrecks Jinx
8p – City Hotel – Stage 3
9p – Domino Effect – Stage 2
10p – Eric CulbersonBayou Cafe
10p – Filthy StillJinx
12mn – Train WrecksJinx

Savannah Soundtrack: Perfect Pussy’s Debut Album “Say Yes to Love”

Ever since getting my first taste of Syracuse’s explosive noise punk outfit, Perfect Pussy, during their show here in Savannah last January, I, much like others who caught their set, have been eagerly awaiting more from the five piece act.

With a sound most easily described as contemporary noise punk practices of bands like Future of the Left blended with the angst and aggression of riot grrrl movement icons from the late 80’s and mid-90’s like Heavens to Betsy and Fire Party, Perfect Pussy is a band that demands your attention from the very moment you look at their name — and doesn’t let go. Anyone who caught their set at Hang Fire can attest. It was loud. It was furious. And most importantly, it was a spectacle. From the moment that singer Meredith Graves started, she didn’t let up. The show wasn’t so much about listening to the music, as it was about experiencing the act of it being performed. Graves, who couldn’t stand taller than 5’6″, made up for her small stature with relentless energy that was echoed by her bandmates, turning Perfect Pussy’s set at Hang Fire that night into a cathartic explosion that rippled throughout the crowd.

Graves and the rest of Perfect Pussy weren’t just the spark that ignited the powderkeg that night. They were the spark, the gasoline poured over the powderkeg, and the dry lumber that was thrown in for good measure. The fact that they were able to translate this energy and fury into a record is a feat that isn’t easily overlooked.

NPR’s First Listen is currently offering up a streaming preview of Perfect Pussy’s debut album, Say Yes to Love, and I can’t recommend checking it out enough. The album is probably best described as a cathartic experience more than anything else, both for the band and the listener. Perfect Pussy managed to create an ebb and flow to the album that creates an air of anticipation at points while the listener waits for the white noise to give way to Graves’ thundering, high pitched vocals. There’s fury, there’s anger, there’s fear, there’s resent; all drowned beneath a synth harmonies that hit you simultaneously with a cacophony of wailing guitar effects that  leave the listener a bit drained and even more at peace when it ends. “Say Yes to Love” isn’t an album that’s meant to be quietly reflected on while sitting in your room, it’s an anthem that begs to be blasted in your car when life’s got you down and you need to let it all out.

The Weeks at Savannah Stopover – photos

After The Weeks finished up their powerful set headlining Savannah Stopover’s free concert in Ellis Square on Saturday evening, I ended up talking to an ecstatic young woman. She works in City Market, had literally just gotten off from a long day shift, and then discovered that one of her favorite bands was playing right then and there.

It was one of those great moments that can only happen at a festival like Savannah Stopover, which takes over the city’s downtown music scene for three days and nights every March.

On stage, the band has a barely controlled chaos — at times it seems the members will just stomp off into the night in different directions (bass player Damien Bone seems like he’d be the first to vanish). But the sound stays tight, the energy high, the lyrics penetrating. As much as I loved seeing The Weeks in Ellis Square, I’d can’t wait to see them in a dark club sometime, late at night.

Here’s the official video (over 130,000 views) for “Brother in the Night”:

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For various reasons, mainly having to do with the way those event tents reflect light, most of these shots looked better in b&w. A few here (click for full size) with more after the jump:

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Future Islands at Savannah Stopover – photos

This weirdly addictive video of Future Islands‘ recent appearance on David Letterman has now been viewed over 220,000 times:

A few days after that performance, lead singer Samuel Herring and the rest of the band reprised that crazy energy at Club One on the 1st night of the 2014 Savannah Stopover. Herring kept asking for more and more of the lights to be turned off, so the dance floor ended up pretty dark and crazy. I was late to the show because I was listening to J Roddy Walston and The Business at Congress Street Social Club and I left a little early to catch some of Kylesa at The Jinx, but I was thrilled to see that Future Islands’ live act is as compelling as I dreamed.

For photo nerds: I used my 50/1.4 for these shots and most of the rest that I took during Stopover. Being able to go that low is indispensable for shooting in lighting like this. If you know what your speed settings need to be, it’s pretty easy to get a few good shots. A few here with more after the jump:

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Peelander-Z at Savannah Stopover – photos

I’m pretty sure that most of the crowd that packed into The Jinx Saturday night for one of the final shows of Savannah Stopover had no idea what they were about to walk into the frenetic mess that is Peelander-Z. I had the vague idea that Peelander-Z would be a spectacle, with crowd participation, costumes, and music of some sort from “residents of Planet Peelander”, but at the end of the night I left just as stunned as the unsuspecting.

The band members each dressed in a different color outfit, with “Yellow” acting as a ringleader, recruiting audience members to perform in various stunts. These included the whole bar limboing at once, piggy back guitar playing, costumed jump roping, stage diving, banging on pie tins, and other awesome nonsense. At one point, the band cleared a path through The Jinx from the stage to the door, and then Yellow sprinted from Ellis Square (!!!), through The Jinx and threw himself headlong into bowling pins that had been set up on stage. You know, typical concert stuff.

As for the music, it’s basically a metallic guitar/drums combo with various accompaniments…recorder, more drums. After some internet research it appears they generally tour with a bass player, but they were a 3 piece at The Jinx and still sounded pretty huge. The songs? Well, the subject matter isn’t exactly deep, but songs like So Many Mike, Under Zero and Ninja High School are hilarious. You learned the lyrics to the song Alphabet before you went to kindergarten, but, man, they sell it, and it was a blast.

Here’s a couple photos in color, because, well, you’ll see. Much more craziness after the jump. Look for hissing lawns contributors and Sauna Heat members featured prominently on stage.

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The Silver Palms at Savannah Stopover – photos

OK, the lighting conditions at the Congress Street Social Club were tough for last Thursday’s Savannah Stopover set by The Silver Palms, but I pulled a few decent images out. (For the photo nerds: dim lighting with a red filter hitting guitarist Adam Drury, a light blue hitting bassist Wade Beahm, diffused flat lighting on drummer Jordan Scott, no light at all on lead singer Dalton Drury — kind of nightmarish if you prefer working without flash. Most of the shots looked better in b&w.)

Whatever. These guys would look good in any lighting. I’m sorry I didn’t take a group shot in the bright hallway when I was talking to them before the set.

If you haven’t heard of The Silver Palms, just wait. The band is from down in Kingsland, Ga., so Savannah could become as much of a home base as anywhere. The band is playing the Austin City Limits Bloody Mary Morning with Melissa Etheridge and others at SXSW, and they just wrapped up a series of gigs in the UK opening for Jake Bugg and The Orwells.

Give a listen to their new single “Superstar” — a new video apparently coming soon:

I do hope that The Silver Palms will start to show a little more energy on stage, but their sound seemed a lot tighter than the show that I shot back in January. A few photos here (click for bigger versions) with more after the jump:

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