Nightingale News unveils full band on Saturday at The Jinx opening for American Aquarium

This weekend presents an embarrassment of riches for the Savannah music scene — on Saturday alone there’s A-Town Get Down with headliner Blind Boys of Alabama; the Caleb Klauder Band and The Accomplices at American Legion Post 36; Crazy Bag Lady, Warehouse, Breathers, and Culture Vulture at Hang Fire; and American Aquarium, Nightingale News, and Don Chambers at The Jinx.

We know that Raleigh-based American Aquarium will put on a killer show (I’ll add a link to my preview in Do Savannah once it’s posted), but if you’re headed to The Jinx Saturday, you should get there in time for Coy Campbell’s new project Nightingale News. According to an excellent piece by Anna Chandler for Connect Savannah, Coy will be joined on stage by Markus Kuhlmann on drums, Stu Harmening on guitar, Rachael Shaner on double bass, and Igor Fiksman on pedal steel. Saturday is the debut of the full band, but a smaller version of Nightingale News — with Coy, Stu, and Markus — opened for Dave Dondero at Ampersand in summer 2014, and I was pretty much blown away by the beauty and mystery of the band’s songs.

Simply put: Nightingale News might be a new band, but there’s a depth to the sound that many acts never achieve.

Check out the following video and Bandcamp embed, and I’ve added a few photos from that show at Ampersand too.

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Niche joins Retro Futurist label, new album coming later this year

Well we knew something good was in the works, and today it was officially announced that the Savannah-based rock band Niche will release their upcoming album via Retro Futurist Records.

Retro Futurist, founded by core members of Kylesa, has subtly shifted the Savannah music landscape. Punk rockers Crazy Bag Lady and garage rockers Wet Socks are already affiliated with Retro Futurist, and Niche’s heavy 70s sound seems like a good fit for the eclectic label too.

From Retro Futurist:

We at RF headquarters are pleased to announce that NICHE is joining the family. We’ve known the founding members Justin and Mike for over 15 years and their dedication to music has always been a major part to the individual personalities. What do they sound like? They play 70’s influenced rock with southern and psychedelic leanings. The current lineup includes Justin Dick (guitar/vocals), Michael Redmond (bass/vocals), Corey Barhorst (Hammond/synths; *Corey played bass in Kylesa off and on for several years), Lee Vallier (drums/percussion) and Kristopher Maedke-Russell (guitar/vocals).

Of course, as we noted in a post yesterday, Corey Barhorst is currently touring in Europe with Black Tusk.

We loved Niche’s first record The Other Side of the End:

And here are some pics of Niche that we’ve taken at past gigs (more after the jump):

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checking in with Black Tusk in Europe

If you’re reading this blog, you probably already know about Athon’s death last November. He was the larger-than-life bassist in Black Tusk, and he was a larger-than-life presence around Savannah too. I think all of us involved in the music scene here are still mourning his loss even while trying to embrace the immediacy of life like Athon did.

Btw, there are some beautiful remembrances of Athon collected in This Time Is Divine: A Tribute To Black Tusk’s Jonathan Athon compiled by the folks at Stereo Embers Magazine. Click here for more info; all proceeds will help Athon’s girlfriend’s mounting medical bills since the accident. (The driver who pulled in front of Athon’s motorcycle has been charged with vehicular homicide.)

Corey Barhorst (of Niche and formerly of Kylesa) has, at least for now, joined Andrew Fidler and James May for their current European tour. Black Tusk had a couple of weeks of headlining dates, beginning in the glorious Budapest, and the band is now supporting Black Label Society through mid-March. Athon was especially looking forward to these dates.

It has been especially satisfying to follow the band’s journey, which seems both an ending and a beginning, on their social media pages. I’ve embedded a few posts below. Click on through for a lot more.

Indie labels Furious Hooves, Soft Science team up for new Savannah music compilation

Indie labels Furious Hooves and Soft Science Records are joining forces for a new tape devoted to music by Savannah-based acts.

The compilation STAY RAD SAV “will feature a curated selection of the diverse and superb music scene in Savannah.” Click here for more.

Here are details for musicians who have songs that they’d like to be considered for inclusion:
•ONE SONG
(Between 0:30-4:00 minutes in length)
•EXCLUSIVE TO THIS TAPE
(Must either be new, unreleased, alternate version)
•ALL MUSICIANS/BANDS ARE WELCOME
(No matter what genre; No matter how old or new)
•PLEASE SEND HIGH QUALITY AUDIO TO INFO@FURIOUSHOOVES.COM
(WAVs or AIFFs can be sent via WeTransfer.com)

The deadline is April 1.

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“Furious Hooves and Soft Science have been friends and fans of each other for quite some time now,” said Furious Hooves co-founder Ryan McCardle when I asked for some more info on the labels’ decision to team up. “We’ve always wanted to collaborate on something and this seemed like the perfect way to do just that.”

Soft Science Records co-founder Gus Muller added (joking): “We work to support & cultivate the creative community in SAV & are invested in that end goal, but are also ready/itching to blacklist artists who choose not to participate!”

Savannah has long had a diverse scene with many talented musicians, but that scene hasn’t always been documented and supported as it has deserved. That’s one reason we started this blog back in 2013, and it’s exciting to see Furious Hooves, Soft Science Records, and myriad other entities filling the voids.

Larry Jack’s Magical Music Tour – 2/12/15 – 2/18/15

Hey guys,
Don’t forget that Valentine’s Day is this Saturday. Sorry ladies, I have always thought this was the crappiest of all the Hallmark Holidays (I don’t have to apologize to the guys, we all hate it). I don’t understood the purpose of a holiday designed to make single women feel bad about themselves for not being in a relationship? Sorry about my soapbox, I really just don’t like Valentine’s Day. Anyway, you are reading this just to see where music is this week, not to hear me vent. At least Valentine’s Day may give some of you an excuse to go out on the town and catch a band or two.

Thursday 12th – Too many great choices tonight. You won’t be disappointed with any of these acts, I hope to catch a few of them.
Big Something (Roanoke 6-piece), Jubal Kane (Sav’h jukebox blues) – Barrelhouse South
Bottles & Cans (Sav’h blues) – Bayou Cafe
Cory Chambers (City Hotel member) – Rocks On The Roof
Joe Buck Yourself (punk rock country), AM Rodriguez Jinx

Friday 13th – Another night of tasty choices. If you are on Tybee, go to the Accomplices, nuff said. I was fortunate enough to catch Payne Bridges last weekend, she is worth seeing soon, you Southside folk should try to catch her at Ben’s Grill (?!!) on Hodgson. And any of the shows I have listed downtown should be fun. I also listed a few non-music shows in celebration of Valentine’s Day.
AccomplicesTybee Social Club
Payne Bridges – Ben’s Grill (7-10p)merican Hologram (Sav’h Americana) – Jazz’d
David Harbuck, Greg Williams (Sav’h singer-songwriter) – Bayou Cafe
Evan Barber & The Gamblers (Americana) – Congress Street Social Club
Johnny Octane (Sav’h rockabilly) – World of Beer
Steppin Stones (Hilton Head classic rock) – Barrelhouse South
My Fetish ValentineWormhole
Savannah Sweet Tease BurlesqueJinx

Saturday 14th – This is the third night in a row of too many choices! I don’t think you can go wrong with any of these bands.
Forlorn Strangers (Nashville bluegrass with 4-part harmony) – Foxy Loxy Cafe (7p)
Accomplices, Radio Birds (Atlanta rock) – Barrelhouse South
Baby Baby (Atlanta party rock) – Congress Street Social Club
Epic Cycle (Sav’h jam-rock) – Warehouse
Toothe, Culture Vulture (Sav’h instrumental progressive rock), Whaleboat (Sav’h rock) – Hang Fire
Waits & Co (Sav’h Americana) – World Of Beer
Les RaquetSouthbound Brewery ($30)

Tuesday – 17th
Jesse Stockton Band (NC Americana) – Foxy Loxy Cafe (7p)
Isaac Smith (Sav’h singer-songwriter) – Jazz’d

Wednesday – 18th
Darsombra (Baltimore psychedelic) – Jinx

COEDS, Old Flings, Jeff Two-Names and the Born Agains, Trophy Wives at The Guild Hall – photos

There were quite a few choices in Savannah for a rock fan Saturday night, but I know what I like and I headed to The Guild Hall for an all ages punk/garage/power pop/rock and roll show that I pretty thoroughly enjoyed.

I had somehow never caught Trophy Wives before, but their pissed off, speedy, classic, girl fronted punk is something every scene should have. A good start to the evening.

If there was an award for best banter between songs, I’m pretty sure Jeff Two-Names and the Born Agains would be in the running for it. The old school pop punk songs are catchy as hell, too, on top of being hilarious. One fret, one string solo? Yep. Songs that deal with super important issues like Petee’s lack of a Ramones tee shirt? Check. I’m glad they’re playing around a lot more often recently. They’re pretty great, as they are quick to tell you.

Asheville, NC’s Old Flings were on my short list to see at The FEST this year, but once I realized it wasn’t easy to jump from venue to venue the short list got even shorter and I didn’t get to see them. Missed them play a Savannah Sweet Tease review at The Jinx, too. After seeing their great set of punky power pop Saturday night I will definitely be making a more concerted effort to catch them anytime that I can. I’m marking my calendar to see them play another Sweet Tease gig at The Jinx in April. Super nice guys who watched the other band’s sets, too. I truly respect that.

COEDS‘ Anna Chandler was under the weather, but that didn’t stop her and the band from kicking ass to end the night. The songs dig a little bit deeper into my brain each time that I see them and the new stuff sounds great, too. They even played a Jeff Two-Names cover to go along with their own classic college rock (that’s what we called it before it became “alternative”, youngsters) infused “ruckus ‘n’ roll”. I love them, and highly recommend you check them out if you get a chance, maybe at Savannah Stopover?

All in all a fun night. The Guild Hall is a good space for all ages shows, and I’d love for the crowds at the shows to start growing. Heck, go out early to see something interesting at The Guild Hall, and then head downtown late, as the all ages shows tend to finish up early. See you next time.

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Old Flings
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Jeff Two-Names
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Trophy Wives
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More pics after the jump. You should know that by now, really.

Damon and the Shitkickers say goodbye to longtime bassist Charlie Hodge – photos

I rhapsodize every so often in this space about Damon and the Shitkickers, the Savannah-based outlaw country band that plays regular Saturday happy hours at The Jinx and lots of other gigs around town.

Last Saturday, the band said “so long” to bass player Charles “Good Time Charlie” Hodge. Charles is a Savannah native, and I guess his mom Cheryl mobilized the troops for the goodbye — The Jinx had lots of new faces in the crowd for the farewell show. Charles’ dad Fred sat in on keys, and the band did a rare encore: “Breaking the Law” with Igor taking the lead and Charles picking up the electric bass. Bonus: original drummer Mike DiSanza rejoined the band for the night.

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Dawes, The Wailers, Drew Holcomb and The Neighbors, Jarekus Singleton added to Savannah Music Festival 2015 lineup

In conjunction tonight with a show by Jarekus Singleton at Southbound Brewing here in Savannah, the Savannah Music Festival announced additions to the 2015 lineup:

Dawes will perform on Sunday, March 22 at 7 p.m. at Trustees Theater. Great news! Dawes consists of brothers Taylor and Griffin Goldsmith, along with Wylie Gelber and Tay Strathairn.

The Wailers will perform at 8 p.m. on Tuesday, March 31 at Trustees Theater. The band’s 2013 SMF show was one of the best experiences I’ve had in a big venue in recent years. The diverse crowd crowded the stage, dance, and had an unforgettable night. Do The Wailers still have a living connection to Bob Marley? Yes: Aston “Family Man” Barrett.

Drew Holcomb and The Neighbors will hit the stage at the Ships of the Sea on Friday, April 3 at 8:30 p.m. Another highly recommended act — an excellent addition to the increasingly impressive Americana offerings at the SMF.

Jarekus Singleton himself has been added to “Blues in the Garden” with Heritage Blues Orchestra on Saturday, March 21. Singleton has three 2014-15 Blues Music Award nominations to his credit, including Contemporary Male Blues Artist, Contemporary Album, and Album of the Year.

Tickets to additional SMF 2015 shows go on sale online at 10 a.m. on Saturday, February 7 and at 216 East Broughton Street and 912.525.5050 beginning Monday, February 9 at 10 a.m.

Larry Jack’s Magical Music Tour 2/5/15 – 2/10/15

Hey guys,
It is Thursday, in Savannah that means the weekend has begun. It looks like there are going to be pretty good shows coming up over the next few days. There are also several appealing all ages concerts this weekend. I like to think of February as spring training for the onslaught of March shows that will be coming (I’m talking to you, Savannah Stopover and Savannah Music Festival). These are some of the shows I hope to catch this week (maybe I’ll catch most of them, not so sure about all of them). I hope to see some of you at these shows. And don’t forget to drop some cash in the bucket if the band doesn’t suck, it is always appreciated.

Thursday 5th
Charlie & The Foxtrots (Nashville 7-piece folk pop) – Sentient Bean
Eric Culberson (Sav’h blues) – Bayou Cafe
Jon Lee And The Apparitions (Sav’h rock) – Warehouse

Friday 6th
Bottles & Cans (Sav’h blues) – Foxy Loxy Cafe  (7p, all ages) – Art March
Jarekus Singleton (Mississippi blues) – Southbound Brewery  ($8p, $20/25) – Savannah Music Festival Announcement
Waits & CoThe Mansion (9p)
Hank And Cupcakes (Brooklyn edgy pop), Starbenders (punk art pop), Death Of Paris (Columbia, SC power pop) – Jinx ($6)
Shack Band (Richmond alt-rock with sax) – Congress St Social Club
Omingnome (Sav’h forest rock),  Xuluprophet (Sav’h funk soul) – Barrelhouse South
Crazy Man Crazy (Sav’h rockabilly) – Tybee Island Social Club

Saturday 7th
Old Flings (Asheville power pop), COEDS (Sav’h rawk), Jeff Two-Names & The Born Agains (Sav’h punk), Trophy Wives (Sav’h punk) – Guild Hall (8:30, $5, all ages)
Back City Woods (Georgia roots rock), Amigo (Charlotte Americana) – Jinx ($6)
Bottles & Cans (Sav’h blues), Strung Like A Horse (Chattanooga garage grass) – Barrelhouse South
Damon & The Shitkickers (Sav’h outlaw country) – Congress Street Social Club
Jacob and the Good People (guitar pop) – Pour Larry’s

Sunday 8th
John Autry & The Naval Avionics (power pop from Brooklyn), Vocabulary, Curb DogsGraveface (7p, donations, all ages)
Plurals (Michigan punk), Jeff Two Names & The Born Agains (Sav’h punk) – Foundery Coffee Pub (8p, free, all ages)

Tuesday 10th
Aaron Zimmer (City Hotel) – Foxy Loxy Cafe (7p, all ages)

 

CUSSES’ 5th Anniversary with Wet Socks, Crazy Bag Lady at The Jinx – photos

I love it when a national touring act fills up The Jinx, but there’s something pretty special about a packed room for three local acts. Sure, CUSSES, Crazy Bag Lady, and Wet Socks all log their miles touring, but Savannah is definitely home turf for them. Friday night the room was full of familiar faces along with the usual assortment of tourists and adventurous passersby.

The occasion, of course, was the 5th anniversary of CUSSES playing their first show which, not so coincidentally, was also at The Jinx. To their credit, CUSSES definitely know what’s going on in the thriving Savannah scene, and picked the opening acts with more than a bit of savvy.

If you’re at least moderately active in the scene or read this blog (looking at you), you’ve probably at least heard of Wet Socks, but judging from the chatter and multiple conversations I had between sets, quite a few attendees of the Friday night show had never actually heard Wet Socks’ garage/punk/surf/psych blend or witnessed Hunter Jayne’s hair in action. “Did you know they were this good?” Yes. Yes, I did. Drips spins consistently in hissing lawns land, you should buy it.

The same goes for Crazy Bag Lady‘s punky, crunchy, rock goodness. I witnessed more Crazy Bag Lady sets than any other band last year and I have to agree with a comment I heard several times over the course of the night….”They get better every time I see them.” If you can open for both Those Darlins and Bane and not only hold the crowd’s attention, but impress them, you’re doing more than a little right. Frontman Josh Sterno was entertaining as always, crowd surfing and singing in the pit, but restraining himself from climbing the bar, or into the rafters, or singing in the middle of the street. Meanwhile on the stage the band is tighter than ever. Look for Hunks, coming soon from Retro Futurist Records.

To top off the evening, everyone got a set of infectious, high energy rock from CUSSES. Angel Bond expressed the band’s gratitude for 5 years of support more than once, video was shot, posters were given out, and great tunes were played. CUSSES deserves that crowd every time they play. Long live Cusses.

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Murder By Death “Big Dark Love” album review

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Murder By Death’s seventh studio album, Big Dark Love, is just that – big, dark, and lovely.

It opens with a punch; an upbeat tune with an underlying lament that sets the stage for an album that weaves through themes of love and loss.

The title track, a slow groove, hits a minor chord driven chorus that is completed by subtle electronic hits, accenting intense lyrics that harken images of a death rattle or an addict’s withdrawal.

A harrowing guitar solo on the bridge reiterates the bluesy base of the song, while frontman Adam Turla begs for his “big dark love” to be let in. It’s one of the more intense tracks on the album and crescendos to a rising end as the once subtle electronics take center stage.

Each Murder By Death album seems to take on its own life. It’s hard to categorize this band, an attractive feature in a world of cookie-cutter, neo-Americana acts. Their music coalesces so many elements of so many styles while remaining centered around a brooding struggle of dark and light.

Sometimes, the night wins and at other times, a ray of sunshine pierces through the dark lyrics and love seems to catapult you into the day. Gothic Americana is really the best descriptor for what Murder By Death is, and does, but that even falls short.

Murder By Death

Murder By Death

The ability to stay focused on a singular unique sound, yet take chances on new voices in their music (electronic in this case), indicates a group of musicians that aren’t afraid of breaking with the status quo, and embrace an ever-changing world while staying true to honest and pure songwriting.

That’s truly the feature of this album; the songwriting is exquisite and pulls no punches. A trait common to Murder By Death.

“When it came to writing the latest record, I felt so inundated with a certain kind of Americana, just from it exploding onto the public scene, that my natural reaction was just to go the other way and explore the other side of our group,” Turla said in an interview I did with him for Do Savannah in October of last year.

“That’s kind of been the modus operandi of our band. Are a bunch of people doing this right now? They can have it, we’ll do something else. There’s always going to be people that are extremely talented at imitation, or making slight developments on a known thing. That’s not what my strength is and that is not what I am good at doing. I have a vision for the group that we’ve been pushing for a long time. I’d rather it just be our thing with hints of other styles. That’s kind of how we do things.”

Midway through the album you get hit with another powerful ballad, the sixth track and second single, “Send Me Home”.

Helmed by a fuzz-soaked guitar, Turla lyrically paints the deepest, yet simplest, emotions of facing the end of life. “I’d be on my way, if I wasn’t so damn scared,” ends the first verse before the chorus lays out the supplication of the title. The trumpet outro seems to answer the central figure’s request with uplifting, angelic notes.

The album’s end, “Hunted”, is an epic storytelling song that recalls the folk traditions at the foundation of Murder By Death, much like the soundscape to a movie set in the depression era American West. Sarah Balliet’s cello creates a haunting allure in a late bridge, accented by Dagan Thogerson’s big drum fills that carries you deep into the story.

Murder By Death at The Jinx

Murder By Death at The Jinx

Another of their timeless qualities, Murder By Death paints beautiful pictures both musically and lyrically. After 14 years of relentless touring and continual recording, they have created one of the most unique musical acts to date.

It’s hard to quantify the simplistic beauty and eclectic expanse of Murder By Death’s music. You could span the breadth of their discography and easily find something to speak to your pain, your love, your life, and all things in between.

Big Dark Love hits most of it.

The album officially hits the public on Feb. 3 on Bloodshot Records, but the throng of fans that supported the band via Kickstarter already have their copy. It was recorded at La La Land in Louisville, Ky. in the summer of 2014 and produced by Murder By Death and Kevin Ratterman.

Click here to purchase the album and hear the first two singles released.

Click here for upcoming tour dates.

Anders Thomsen debuts his new Americana project at The Jinx – photos

I previewed Anders Thomsen’s new Americana project in my Unplugged column in Do a couple of weeks ago, and Anders’ debut show at The Jinx more than lived up to expectations.

And why shouldn’t it have surpassed expectations? Anders was a frontman for several bands in the past, most notably The Ex-Husbands, and he’s still a poised, confident, funny, and amazingly talented guitarist and vocalist — you can get a taste of his talents whenever Damon and the Shitkickers plays. I was thrilled to find out a few weeks ago that Anders has been developing his own material and recording an album at Elevated Basement Studio. When Anders let me hear rough cuts of a few tracks, I was even more excited to see the live show at The Jinx last week.

And how nice to see such a great cadre of musicians join him on stage. If you follow the Savannah scene, you’ll recognize some familiar faces in the pics below.

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