Old Dogs Can Learn New Tricks / A Review of 2015

Let me start by introducing myself. My name is Kyle and I’m a new contributor to hissing lawns as well as a new resident of Savannah. I like electric Neil Young, girl singers, pedals, and “pop” music.

With social atrocities and a sense of real anxiety amongst the political state of the world, along with the content overload the Internet provides, it’s sometimes hard to follow the music scene.

In 2015 we saw many of our favorite artists ascend to new territories; some chose to magnify the chaos, others decided to escape with big hooks and euphoria.

Kendrick Lamar, the street preacher, released a ferocious album about the social injustice, police brutality, racial disparity of America, and, let’s not forget, getting a whole ton of pussy. Viet Cong, half comprised of the wonderful but ultimately tragic band, Women, returned with the most stark post-punk albums in years. Bringing a relentless thrashing of noise and dissonance, the band has evolved the genre’s figurehead while, lyrically, reminding us that technology is slowing destroying our culture and sense of “self”. (How thoughtful, right?)

On the flipside, Grimes beat the hype and deservingly ascended the throne of DIY pop star with the most fun and eccentric dance album in years. Lower Dens turned down the broodiness of their past records and elevated into a very sexy 80s band. And My Morning Jacket reminded everyone that they aren’t just a festival headliner and that they can use synth pads that would make the likes of Washed Out envious.

Ulimately, artists we’re accustomed to have changed and this year we saw a lot of it. The new prince of rap is more like a queen, Wilco made a song that sounds like T. Rex. The world’s biggest douchebag is now the most beloved. You never know what’s up anyone’s sleeve anymore, it truly is dizzying. In ending this post, I’ll give you quotes from my two favorites of the year that leave me with a little relief. “Take your handicaps / Channel them and feed them back / Til they become your strengths / All our love its all the same” or in other words… “I fucked up homie, and you fucked up homie, but if God got us, we gonna be alright.”

Here’s a playlist of my picks for best songs of 2015:

Thursday Night Opry | Winter 2016 | Annual Singer-Songwriter Edition – preview

It’s that time of year again for another of the quarterly Thursday Night Opry performances put on by Trinity Sanctuary Concerts; January 21st at 7pm. Last year’s singer-songwriter night was such a success that the decision was made to make it an annual, first show of the year kick off.

Thursday Night Opry | Winter 2016 | Annual Singer-Songwriter Edition

Thursday Night Opry | Winter 2016 | Annual Singer-Songwriter Edition

This year’s concert features an array of Savannah talent, from a variety of genres & styles. Scheduled to appear are Jason Bible, Anna Chandler, Markus Kuhlmann, Jay Rudd, Tom Cooler, Eck Bohymn, CC Witt, and A.M. Rodriguez.

Thursday Night Opry

Thursday Night Opry

Check out a few of the performers by clicking here:

Larry Jack’s Year End Review – 2015

Hey guys,
It’s that time of the year again, year-end list time. Needless to say, I saw a bunch of shows last year. I can’t really write much about my favorites, you probably don’t want to read “it was really, really good” ten times in a row. Of course, I could substitute “very good” a few times, but it’d still be dull. I will say that I have enjoyed seeing most of the bands this year, both local and traveling musicians.

Those of you that don’t frequent the music scene downtown may not realize the amazing amount of talent we are nuturing in this city. I would recommend that any of you reading this make an effort to see some our live local original music at least a few times this year. I can personally recommend any of the bands on this list, and plenty more, just ask.  Now on to numbers:

Total shows seen this year:  638
I think it may not be possible to beat last year’s total of 748.

Venues:
Jinx – 133
Hang Fire – 102
Barrelhouse South – 67
Molly MacPherson’s – 45
Congress Street Social Club – 39
Sentient Bean – 15
Sulfur Studios – 12

As it has the last few years, the Jinx took first place. I was surprised to see Hang Fire ranked so high. I’m still sad to see that place go. If you haven’t been to the Barrelhouse in a while, be sure to check them out, they upgraded to one of the best sound systems and stages in town. The Social Club has also made lots of improvements to their stage and it looks great. I was glad to see newcomer Sulfur Studios on the list. I am looking forward to see what they do on this upcoming year.

Bands:
Accomplices – 14
Bottles & Cans – 13
Hypnotics – 12
City Hotel – 11
Train Wrecks – 10
Eric Culberson – 10
Damon & The Shitkickers – 10
Curbdogs – 10
Toxic Shock – 9

This was the second year in a row that that the Accomplices were my most-seen band for the year. That is no surprise, I consider them one of the most talented bands in tow.  I was pleasantly surprised to see Bottles & Cans in the number two spot. Ray Lundy’s unique singing style combined with his deep knowledge of the blues make their shows very enjoyable. City Hotel is probably the best bluegrass band in town. Train Wrecks, Eric Culberson Band, and Damon & The Shitkickers should be familiar to anyone reading this blog, as they are some of the hardest working bands around town. Rounding out the list are a couple of newer Savannah bands, Toxic Shock and Curbdogs. Toxic Shock is an energetic punk band with members of Crazy Bag Lady and frontwoman Greta O. Curbdogs are a more straight-up rock and roll band.

Thanks to all of you who take the time to read this column and all of the blogs at hissing lawns. I hope to see some of you out at some shows soon, be sure to stop by and say “hello”.  

As always, don’t forget to drop some cash in the bucket if you like what you are hearing, the bands really appreciate the kindness.

Songs From The South- The 20 Best Tracks of 2015

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Below are my picks for the 20 Best Songs of 2015 from below the Mason-Dixon line; the South being defined as D.C. down to Florida, over to Texas and up to Kentucky. I know that’s wildly up for debate but that’s how I see it. And the bands have to be living in the South. If they’ve moved to LA or NY or London etc, I’m not considering them a southern band. Some of these songs feel southern in the way that we traditionally define southern music and some don’t fit that bill at all. Some are bands you might know; others you’ve probably have never heard of. That’s the fun right? Consensus and sameness is boring.

So, off we go. You can listen to the tracks individually or all of the songs are on this nifty Spotify playlist. For dramatic effect, and maybe to keep you reading, they are in reverse order. If you want to catch some of these bands live, I’ve marked the bands that have been confirmed and announced for Savannah Stopover Music Festival in 2016 with an *.

20. “A Peer” by Living Grateful. Austin, TX. Let’s start with a real sleeper. Living Grateful is a newish project from Ryan Sambol and Greg Enlow of The Strange Boys who sadly called it quits in 2012. The album, Peace Mob, was recorded in 2013 but just released this summer. Not sure how many people outside of the Austin music scene know much about this band but I love the southern stoner, garage vibe coupled with the tongue-in-cheek lyrics about a musician going to a music festival and being blown away by someone else’s performance.

19. “The Marshes” by Tedo Stone. Athens/Atlanta GA. If there’s a better opening/title track by a Southern band this year, I haven’t found it. Stone’s sophomore album, Marshes, was produced straight to tape by Drew Vandenberg (Deerhunter, of Montreal) and it has a raw, raspy quality that’s infectious. This is a ‘crank up the volume and hit repeat’ kind of track that wouldn’t suffer from enjoying with a few cold ones.

18. “That’s Love” by Odissee. Washington, D.C. Odissee is Amir Mohamed el Khalifa, the American/Sudanese rapper and producer whose 2015 album The Good Fight is my favorite rap/hip hop album of 2015. I love the sheer joy of this song with it’s jazz rhythms and wonderful message~~ that we can never give enough thanks to the family and friends who support our dreams.

17. “Long Shadow” by Twin Limb*. Louisville, KY. There’s a lot of great new bands coming out of L’ville but none more cinematic and sweeping than Twin Limb. Consisting primarily of Accordion and Drums with an innovative use of sampled beats added in, the trio’s ambient folk sound feels both ancient and modern. They dropped an EP this fall and their debut album is slated for 2016. Til then put this one on your very late night playlist.

Petee’s 2015 Year In Review

It’s certainly been a bit of a whirlwind year. Savannah overall has had its share of ups and downs, but it seems like the music scene has been on a major rollercoaster itself this year. I’d thought about trying to do my usual year end list like I have for the past couple of years now (geez, two years with HL has flown by!), but then I realized that as busy as I was with life and my own musical endeavors, I’ve really missed out on some pretty rad events this year. So instead of a normal list, why don’t we stroll back and focus in on a few highlights from each month over the past year?

January
Ah, a fresh, new year. 2014 was a blast right? Shows like Perfect Pussy and Priests gave 2015 a pretty high standard to live up to. Luckily, 2015 started off with a bang. Besides our own Wet Socks taking their surfy-garage rock on a national tour, January also brought some stellar touring acts to Savannah as well. Bane? Ex Hex? Creepoid? King Tuff? Family and Friends? Not to mention some stellar performances by locals that we were already pretty familiar with like COEDS, The Anxiety Junkies, Sins of Godless Men, A.M. Rodriguez. The year started off pretty fantastically.

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Bane-5

Larry Jack’s Magical Music Tour – 12/31/15 – 1/4/16

Hey guys,
It looks like a surprisingly slow week again for the downtown music scene this week. As always though, there are at least a few good shows to get excited about. It has been a while since Passafire played in Savannah, they will be playing the Barrelhouse on New Year’s Eve. And I haven’t seen Wet Socks in a while either, they are returning to the Jinx on the New Year’s Day. I hope everyone has a safe and fun holiday. I’ll be posting my year end wrap-up in a few days, be sure to keep an eye out for that posting.

Thursday 31st
Lullwater, PassafireBarrelhouse South ($20)
Accomplices, Pat Carroll, Isaac Smith BandTybee Island Social Club ($15/20)
HypnoticsWild Wing (Pooler)
Thomas Claxton, Jerry Zambito & The Bayou Blues Band Bayou Cafe

Friday 1st
American HologramCashmir’s Lounge
Dirty Dan’s ClanWarehouse
Wet Socks, Nude Party, GrimselJinx
Crazy Man Crazy, Patrick CarrollBarrelhouse South
Jonathan Murphy DuoDub’s

Saturday 2nd

Pack & Penn, Britt ScottWormhole
Jackson Evans TrioCasimir’s Lounge
Hexatones, Wood & SteelBarrelhouse South

Sunday 3rd
Mary Davis (Tell Scarlett), Sara Bacon, Jason Salzer, Thomas OliverSavannah Songwriters at Johnny Harris (6p, all ages)

Tuesday 5th
Nikko RaptoulisFoxy Loxy Cafe (7-10, all ages)
Ben Keiser BandBay St Blues
Eric Culberson Open JamBayou Cafe

bill’s 2015 year in review

We don’t get too personal here at hissing lawns, but no one lives in a vacuum. 2015 has been a stressful year for me personally, including some high highs plus a couple of very low lows: my father died in March, and my mother in October. I won’t bore you with the details, but they both lived long, rich lives.

My folks lived in Kentucky, so I was flying home often over the past 18 months (hello, American Airlines platinum, and hello again, E terminal in Charlotte). As a result, I feel like I missed a ton of great Savannah shows, but, as I look back on 2015, I’m overwhelmed by all the music I experienced. (Music is a powerful tool for healing.)

I can’t say enough good things about the talent right now in Savannah’s mutually supportive music community — I hit a lot of highlights in a recent column for Do Savannah — but for this post I’m going to concentrate on various touring acts that I saw here at home or out on the road. I saw so many great local shows that I don’t know how I could appropriately summarize the highlights — The Accomplices at the Roundhouse, the chaotic sets by Crazy Bag Lady, happy hours with Damon & The Shitkickers at The Jinx, Jason Bible solo at the Gingerbread House, the slightly premature goodbye party at Hang Fire, Niche’s record release shows, to name only a few — without leaving out all sorts of awesomeness.

A quick technical note: the shots in this post were taken with either a Fuji x100t or a Nikon D7000 (generally using either a 50 mm, 1.4 or a 55-300 mm, 4.5-5.6). Both cameras are highly recommended.

So let’s get rolling:

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I had never seen The Rolling Stones before, so I jumped at the chance to purchase a VIP seat for the Atlanta show through my friend Mike, a friend of the band’s longtime keyboardist and sometime Savannah resident Chuck Leavell. It had rained hard earlier in the day, but the June evening at Bobby Dodd Stadium turned out to be just about perfect — and so was my seat next to the thrust stage. I thought the Stones sounded and looked great — click here for my review — and I’m glad I took the leap and committed to the date even with so much else going on.

So there’s a trite but true lesson from 2015: seize the day, because you don’t know how many days are left.

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TheRollingStones-13

Nana Grizol, Toby Foster, Curbdogs, and Garden Giant at Sulfur Studios – Photos

Let’s face it, trying to play a show on a Sunday in Savannah is hard, if not near impossible. Save for house venues, opportunities for Sunday shows are few and far between as most venues downtown are closed save for a select few.

Cue Sulfur Studios to the rescue. The intimate art gallery next to The Wormhole has become a saving grace for bands wishing to book an all ages or Sunday show. The gallery has hosted all manner of shows from Dad Joke’s prior exhibition featuring bands like Psychomagic alongside comedy acts to Don Giovanni’s Downtown Boys last summer.

Last week’s show featuring Athens’ own indie folk juggernaut Nana Grizol was no exception to the success that the gallery has seen when converting one of it’s central spaces into a perfectly sized performance space. Alongside Nana Grizol were their tourmate Toby Foster of Indiana’s High Dive performing a solo, acoustic set as well as Savannah’s own garage rock powerhouses Curbdogs and Garden Giant providing local support. All in all, getting the chance to catch Nana Grizol in such a personal setting was really a once in a lifetime kind of deal.

Here’s hoping that Sulfur Studios keeps up the awesome work. As always, check out a few shots below and hit the jump for the full set!

Garden Giant2

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Nana Grizol3

Toby Foster2

Family and Friends, Curbdogs, Carpet Coats at The Jinx – photos

The delay in getting this post up is not a reflection of the quality, energy, and attendance at the MusicFile Productions early December show at The Jinx with Family and Friends from Athens and local acts Curbdogs and Carpet Coats. Sometimes we’re just slackers. This might (maybe? someone correct me please) have been Carpet Coats’ final show, which is too bad for the local scene — the band’s quirky melodies, surprising covers, and upbeat energy had really started to grow on me.

It was announced during the show that Family and Friends will be returning to Savannah Stopover in March, and if you haven’t experienced the band’s high-energy folk rock, you really ought to see them in a small venue before your only choice is to see them in a large one.

Curbdogs’ loose garage rock always seemed a perfect fit for Hang Fire’s low stage, but the sound transitions just fine to the larger space at The Jinx.

Sarah, Caila, and I all took photos — a lot of photos — so here’s a gallery that includes shots from all of us (click on through for lots more):

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FamilyandFriendsTheJinx2015 - SW - 14

free downloads from Graveface Records’ bandcamp page thru 12/26

Well, how about this for a little holiday cheer? From Graveface Records:

For the next 48 hours we are giving away digital downloads of our entire bandcamp catalogue for FREE! You read that…

Posted by GRAVEFACE RECORDS on Thursday, December 24, 2015

So this deal is good through the end of the day on Saturday, 12/26, it seems. The Graveface bandcamp page includes records by Black Moth Super Rainbow, The Casket Girls, Des Ark, Dreamend, The Marshmallow Ghosts, The Appleseed Cast, Creepoid, and more.

Larry Jack’s Magical Music Tour – 12/24/15 – 12/30/15

Hey guys,
It’s a pretty short list this week. There are a couple of shows that I am looking forward to seeing over the next few days. The Christmas Show at the Jinx with Ray Lundy (Bottles & Cans frontman) and Whiskey Dick (AKA Tony Beasley) should be good.  I know that show is going on (Jinx opens at 10p), but you may want to double check the other Thursday/ Friday shows. The show at Sulfur Studios on Tuesday should be exciting. Sulfur has really been getting some good shows lately. I hope everyone has a very good Christmas.

Thursday 12/24
Eric CulbersonBayou Cafe

Friday 12/25
Hitman
Rocks On The Roof
Ray Lundy and Whiskey DickJinx

Saturday 12/26
Eric Culberson – Congress Street Social Club
Mustard, Coty James w/ Benji, Jared WadeBarrelhouse South
HitmanMolly MacPherson’s

Tuesday 12/29
ICE, StandxOff, Forced Entry, Toxic ShockSulfur Studios
Ben Keiser BandBay St Blues
Eric Culberson Open JamBayou Cafe

Recap: Breakers @ The Jinx, Dec. 17

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Only caught two Breakers’ song the other night. But, as I filed in from the weird, warm rain, I felt movement and energy colliding off the walls of the Jinx. The crowd — made up mostly of good and supportive friends; enough to fill the bar — danced, bumping bodies and shaking one another’s shoulders as if they hadn’t been together at Pinkie’s a night or two before.  

On stage the Breakers were a mirror or a magnifying glass to this energy — or maybe its source; it was hard to discern under the dim, drunken light. Their sound was what you’d expect if you’d seen them before: fast, moving, embracing, tight but erratic and sexual.

Samford Justice, lead singer, crooned and much of the bar knew lyrics and sang along. He seemed to stare at multiple members of the crowd at once; tension — like puppet strings — drew audience to performance.

As their show ended, Luca Carpenter and Corey Hines, bassist and guitarist, drifted from their stations on opposite ends of the stage toward the middle, where their foreheads came in gentle contact — like quarterback and left tackle after a touchdown only without the helmets and violence. Their foreheads stayed touching for moments, their lips slowly moving; maybe they were whispering congratulations back and forth or reveling in post-play high; maybe they were performing a last and private song.

From the floor, only some seven feet away, you couldn’t be sure. Voices in the crowd (and maybe one from me) shouted at the two — still unmoved — to kiss. They smiled, suddenly self-aware, and departed the stage to chants of “One more song.”